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Galati "Cold as a February Sky"

Galati is the moniker of Roberto Galati, a multi-instrumentalist whose musical focus centers on exploring the nuanced sounds of the electric guitar. In addition to guitars, he employs other instruments such as basses, synthesizers, and a violin to enrich his compositions with diverse textures and shades. Hailing from Italy and growing up between Padua and Trieste, he developed his musical sensibilities amidst the rugged terrain of the Karst Plateau. His artistic journey, spanning over more than fifteen years, draws inspiration from the icy expanses of Ambient and the abstractions of Post-Rock. Galati's discography is rich and diverse, comprising numerous solo releases and collaborative projects with fellow musicians. As a traveler captivated by the allure of isolated and lonely places, Galati documents his experiences in his Travel Journals (www.galatimusic.com/blog.html). The Karst Plateau, with its icy air, limestone landscapes, caves, and sinkholes, serves as a foundational backdrop for his musical expression. Galati, a meticulous observer, seeks the authentic and profound aspects of the planet and translates his impressions into a fusion of sounds, words, and images. Creative inspiration for Galati is deeply influenced by the frozen landscapes he portrays, marked by their expansive clarity, serene stillness, gentle silence, and profound emptiness. His compositions echo a timeless truth – the deep connection between humanity and nature. His melodies offer a subtle invitation to pause, listen, and embrace the beauty that surrounds. Rather than suppressing Nature's melody, humanity has the potential to enhance its resonance. The symbiotic relationship with the natural world should invite the global community to amplify its inherent beauty and foster a profound connection that extends beyond mere dominance. The majesty of the Earth is more than a spectacle; it embodies a sacred trust, a profound commitment that nowadays is slipping through the grasp of the human race.

" Gazing up at the mountain tops is like delving right into the secrets of the gods. Ridges, snowy peaks, rocky folds; perfection lies in the shapes of these endless stone formations, natural pyramids, sculptures. "The beauty of the world," I think, as I briefly immerse myself in this magnificence. Landscapes that seem to suggest nothing more perfect, grander, or more boundless exists; landscapes that unveil divine intangibility and human mortality. Suspended landscapes, crafted from rarefied air, ice, and vertical rock shining bright in snowy white.My gaze lingers upon the deep valleys carved by glaciers, where the wind furiously blows, and the cold inhibits almost all life forms. These mountains bear witness to the passing millennia, the long course of geological events, the sounds of glaciations that come and go, shaping valleys and slopes. Perhaps the Earth speaks in frequencies so abyssally low that it would take millennia of listening and sidereal distances to perceive its voice. Nature, divinely immense, embraces me; and I am part of Her.This profound connection served as the inspiration for my latest musical creation, 'Cold as a February Sky,' where the frosty echoes of a winter landscape intertwine and weave within the musical tapestry. Much like the month itself carries a chill that permeates the air and paints the world in an icy hue, the album seeks to summon the wintry essence and contemplative depth reminiscent of a cold February sky. It evokes the undisturbed stillness and profound void that echo through frozen landscapes, aiming to induce reflection on the fragility of this planet. The once eternal and sacred balance of these landscapes falters. I wonder if there's a spell we shouldn't break, as the delicate threads of existence unravel in the hands of time, and the weight of our choices reverberates through the corridors of eternity.We are not mere witnesses to Earth's majesty but keepers of its delicate beauty." Roberto Galati, March 2024

 

Track Listing:

1.Sidereal distances

2.As still as these high mountains

3.That day exploded silently all around me

4.With wide, unbelieving eyes

5.It was so bright, it was almost blinding

6.Gazing up to the mountain tops

7.If there’s a spell that we shouldn’t break

8.Through the white

Label: Glacial Movements

Artist: Galati

Release date : 10th May 2024

Format: CD 2 panels digipack in gloss finish

Cat. Num: GM054

All tracks composed, mixed and created by Roberto Galati

Mastered by Rafael Anton Irisarri at Black Knoll Studio (NY)

Artwork by Lia Bosch

Sleeve by Rutger Zuydervelt

A Glacial Movements Records release, May 2024. All rights reserved.

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Aidan Baker "Pithovirii"

Album premiere @ INVERTED AUDIO
Soundscapes with an elegiac tone and engulfing atmospheric somberness. IGLOO MAG

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Glacial Movements is proud to present the soundscapes of Canadian artist Aidan Baker. His first appearance was with the song "Beneath the Ice" on "Cryosphere", the first and only compilation of the entire catalogue. Then in 2013, with "Aneira" (Welsh for 'snow') composed exclusively for GM, through the use of the 12-string acoustic guitar. Pithovirii is his new concept album, which was in part inspired by Vladimir Sorokin's novel Ice Trilogy which in turn led to reading about the Tunguska meteor which fell in Siberia in the early 20th century which in turn lead to reading about 15000 year old viruses found in glacier ice. Using electric guitar and effect pedals, Aidan attempted to musically convey the idea of glacial density and stasis within which lurk potentially malevolent microbiome.

Aidan Baker is a classically-trained multi-instrumentalist using the electric guitar as his primary instrument. Using prepared and alternate methods of playing the guitar, along with various electronic effects, Baker creates music which generally falls within the ambient/experimental genre but draws on influences from rock, electronic, classical, and jazz. A highly prolific artist, Baker has released numerous recorded works, both solo and with various group projects, on such independent labels as Gizeh Records, Important Records, Alien8 Recordings, and his own imprint, Broken Spine. Baker is also the author of several books of poetry. A regular live performer, Baker has toured extensively around the world, including appearances at such international festivals as Supersonic, SXSW, Incubate, Unsound, and Roadburn, among others. Originally from Toronto, Canada, Baker currently resides in Berlin, Germany.

 

Track Listing:

1.Sibericum

2.Massiliensis

Label: Glacial Movements

Artist: Stefan Węgłowski

Release date : 08th March 2024

Format: CD 6 panels digipack with special finish

Cat. Num: GM053

All songs by Aidan Baker (electric guitar & bass), recorded in Berlin, July 2022.

Artwork by Lia Bosch

Sleeve by Rutger Zuydervelt

A Glacial Movements Records release, March 2024. All rights reserved.

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Massimo Pupillo "Our Forgotten Ancestors"

Album featured @ A CLOSER LISTEN
MASSIMO PUPILLO’S PRAYER FOR THE SURVIVAL OF THE NORTH IS A HAUNTING AMBIENT MASTERPIECE POP MATTERS

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Massimo Pupillo is a composer and multi-instrumentalist, mostly known for being a founding members of Zu, with whom he released 18 albums and played more than 2000 shows around the world.He has also kept a very open and multidisciplinary approach that led him to work with some of the most acclaimed figures in today's world of arts: Romeo Castellucci, Chiara Guidi (of legendary avantgarde theatre group Societas Raffaello Sanzio), american choreographer Meg Stuart, french opera star Marie-Agnes Gillot, contemporary dance group Dewey Dell, world reknown dancer Yaman Okur, etc.He has collaborated live and on record with avant-garde musicians and composers such as Alvin Curran ( founder of Musica Elettronica Viva in 1966) , with world-famous piano duo of Katia & Marielle Labeque , with classical music virtuosos such as Viktoria Mullova and Giovanni Sollima. He has also recorded with Canadian soprano and orchestra conductor, Barbara Hannigan. Working with Katia Labeque he has had the huge honour of an album artwork designed by Storm Thorgerson, founder of Hipgnosis , probably one of the most important designers in music.With Katia Labeque, he has played and arranged tracks of an album of Moondog music that was released on the most important classical label ever, Deutsche Grammophon. Also with Katia Labeque he presented a special project at Paris' Philharmonie in 2016, working, between others, with Justin Vernon (Bon Iver), Bryce and Aaron Dessner (The National). In the world of electric/ rock music he has collaborated with some of the most important names in the international scene, such as Mike Patton ( Faith No More), Stephen O' Malley ( Sunn O)) ,Thurston Moore, Jim O' Rourke (Sonic Youth), Guy Picciotto & Joe Lally (Fugazi), FM Einheit ( Einstürzende Neubauten) , Buzz Osbourne (Melvins) Damo Suzuki (CAN), etc. In free-improvised music he worked with Peter Brotzmann, Toshinori Kondo,Tony Buck ( The Necks) etc..In the experimental music scene he has collaborated with Oren Ambarchi, David Tibet (Current 93), Thighpaulsandra (Coil) , Christina Vantzou, Daniel O'Sullivan, Andrea Belfi, Abul Mogard,, Mick Harris (Scorn), Gordon Sharp (This Mortal Coil & Cindytalk) etc...Between Zu, solo work and collaborations, he released more than 80 albums and played more than 3000 shows all over the world. As in 2022 he just recorded a collaboration with world famous iconic actor Malcolm McDowell called "Songs Of Stone" that will be released in september on italian label Subsound Records, and is currently working on a sound installation with Roger Ballen, one of the most influential and important photographic artists of the 21st century.

 

Track Listing:

1.Beaivi

2.Seite

3.Ulda

4.Joik

5.Noaidi

6.Horagalles

7.Akhàt

8.M-ano

9.Sami

10.Sàiva

11.Màttaràhkkà

 

Label: Glacial Movements

Artist: Massimo Pupillo

Release date : 20h October 2023

Format: CD 8 panels digipack with UV spot gloss

Cat. Num: GM052

Recorded and mixed by Massimo at Theresa House 2021/23

Beautifully mastered by Lorenzo Stecconi at Triple Sun 2023

Sleeve design by Rutger Zuydervelt.

Cover photo: Fridtjof Nansen An Inuit woman with child on her back, Gronlandshavet, Kap Seen Bille, Taken during Fridtjof Nansen's expedition to Greenland, July 1888 - May 1889

℗ & © Flipper Srl - Flippermusic

A Glacial Movements Records release, October 2023. All rights reserved.

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Aware "Requiem For A Dying Animal"

In outer space, music does not exist. Only in a thin layer of atmosphere, wrapped around the planet earth, humans can live and breathe. With all their power and creativity, they have exploited and eradicated an unspeakable amount of fellow animal beings. As Arvo Pärt once put it: also with music, you can kill – because with music, you touch the medium of life, the air itself. In this sense, music is not condemned to express the inner life of homo sapiens. Instead, humans are affected by music, because the material world, out of which music is born, is susceptible to suffering. Perhaps that would be the meaning of mono no aware – the compassion (aware) of beings. The question then is not: are they intelligent or not, can they speak or not – the fundamental question is: can they suffer? If the answer is yes, we are one with them. So instead of imprinting an image of ourselves in the air, music arises when the atmosphere is handled with care. If we succeed in that, maybe, we can be forgiven.

Requiem for a Dying Animal is the second album of Alexander Glück on Glacial Movements Records, after his debut in 2017, The Book of Wind

 

Track Listing:

1.I

2.II

3.III

4.IV

 

Label: Glacial Movements

Artist: Aware

Release date : 14th July 2023

Format: CD 6 panels digipack with UV spot gloss

Cat. Num: GM051

Music by Alexander Glück

Mastering by Taylor Deupree at 12k.

Sleeve design by Rutger Zuydervelt.

Cover photo: The First Swedish Expedition to Antarctica 1901-1904. Motiv of crew member Åkerlund in Snow Hill holding a puppy. Unknown author. Swedish National Museum of Science and Technology.

A Glacial Movements Records release, July 2023. All rights reserved.

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